The Pillows Tour
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Out of all the anime that has managed to hit U.S. airwaves, very few shows share the same level of unbridled energy as FLCL. The seminal 2000 miniseries, pronounced 'Fooly Cooly,' still stands as the one of the format's best portrayals of budding adolescence and the emotional whirlwind that comes with it in scenes that pingpong between stillness and mania at a whiplash-inducing pace. The absurd exploits of despondent 12-year-old Naota Nandaba as he tries to balance family, friendship, and love in the midst of an intergalactic standoff strikes a weird balance between the relatable and ridiculous that usually takes more than a single viewing to 'get.' Watching the arguments between Naota and the enigmatic, guitar-toting space alien Haruko Haruhara is a perpetual goldmine of comedy. Finally seeing Naota come into his own at the end is as triumphant as it is mind bending.
Feast Like Harry Potter at this Pop-Up Brunch
Eighteen years after the original came out, the Production I.G-produced show has found new life in the form of two all-new sequel seasons, FLCL: Progressive and FLCL: Alternative, to fans' excitement. Progressive recently wrapped up its run on Adult Swim on July 7, gaining quiet, if not universal praise during its six-episode run, and Alternative is set to premiere in September. This time around a new lead -- ambivalent 14-year-old Hidomi Hibajiri -- finds herself entangled in Haruko’s hijinks. What hasn’t changed is the show’s signature soundtrack, written by Japanese alternative rock band The Pillows.
If I'm being 100% honest with myself I'm watching the new FLCL for the Pillows music more than the anime.
— Chris Franklin (@Campster) April 1, 2018Their explosive sound that critics have likened to Nirvana or the Pixies, but could just as easily be compared to Britrock bands like Oasis or even The Beatles, remains one of the series’ strongest attributes. The energy The Pillow's pop-rock songs brings is different from the usual orchestral scores you're likely to find in other shows. The group -- made up by vocalist and guitarist Sawao Yamanaka, lead guitarist Yoshiaki Manabe, and drummer Shinichiro Sato -- formed back in 1989 from the remnants of the now-defunct punk rock band Kenzi and the Trips. In almost three decades, The Pillows have amassed a cult following through FLCL, but also their prolific catalog spanning 21 studio albums with another record due out this September. After providing the background music for both Progressive and Alternative, they’re keeping the ball rolling with the seven-city Mono Me You Sun Tour -- their latest visit to the U.S. in seven years with assistance from fellow Japanese rockers Noodles and Chicago singer Cullen Omori. Five of the shows have sold out.
The band’s frontman Sawao Yamanaka spoke with Thrillist about his reaction to the series’ return, their approach to music, and their new tour. This interview was translated from their native Japanese and lightly edited.
Thrillist: The soundtrack of FLCL is arguably the most noteworthy part of the series. Could you break down your process for making songs? What’s your inspiration?
Sawao Yamanaka: I make my music all the time, so the style varies per song. Sometimes I make it from a guitar ensemble, sometimes I make it from a melody. It has been my habit to play the guitar while watching TV on the couch, and sometimes I fade into creating [a song] even without any intentions to do so. This time around, I wrote the lyrics based on the characters and story from the original FLCL.
How did it feel being called back for a second go at the soundtrack?
Yamanaka: I was surprised to learn that after so many years that there is a sequel, and honestly speaking I was like, 'Wait a minute, doesn’t FLCL equal The Pillows?' So I got extremely excited when we found out that we were doing the music for these sequels. I wanted to make sure that we made something that met the satisfactions of not only the fans but also the staff. The ED [ending] theme of Progressive is amazing.
Did you try anything new or special in this time?
Yamanaka: I didn't think anything new was necessary. Because alternative rock never became a huge hit in Japan, that genre of music never became old. As soon as I thought of this ensemble of the two guitars for this music, I knew it would be perfect for FLCL: Progressive.
Listening to your work outside the show soundtrack, I hear a range of influences, from the Pixies to the Sex Pistols. What groups influenced you? What did you grow up listening to?
Yamanaka: As a child, I liked Simon and Garfunkel, and then I moved onto Japanese rock ‘n’ roll and punk rock in my teens, and then to U.K. rock -- the Stone Roses, Oasis, and Radiohead -- in my 20s. After that, I met with Noodles, with whom we're touring the U.S. this time around, who introduced and hooked me onto American alternative rock, which they have been most fond of.
Are there any specific people you each look up to/influence your performance?
Yamanaka: My favorite is Kim Deal from the Breeders. But I also love Ben Kweller, The Eels, and so many others.
Based on your experience, how does the alternative rock scene in Japan compare to stateside?
Yamanaka: Just like how Chuck Berry, Elvis Presley, and the Beatles are considered the base of rock ‘n’ roll, there are amazing pioneers such as Pixies, the Breeders, and Nirvana for alternative rock. I would say that it is the music and performed by the ones that appreciate and were mesmerized by these pioneers' creations. Whether or not it is American or Japanese may not be an issue, because I feel that the supporters of the alternative rock are more generous and tolerant to the bands from foreign countries, which may be the biggest reason that The Pillows, who don't even speak English fluently, was accepted in the west.
You’re on another U.S. tour. How are you all feeling? How do you usually prep for tours and just shows in general?
Yamanaka: We normally don't prep so much except for a standard rehearsal; however for the U.S. tour, I need to work on my MC in English. We used to be able to go to the U.S. frequently, but this tour will be over seven years since the last one. The venues are all much bigger than ever, so we are super stoked!
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Left to right: Yoshiaki Manabe, Sawao Yamanaka, Shinichiro Sato. | |
Background information | |
---|---|
Origin | Hokkaidō, Japan |
Genres | Alternative rock,[1][2]J-pop[3] |
Years active | 1989–present |
Labels | Delicious Label (2016-present), King Records(1994-2007, 2016-present), Captain Records (1989-1991), Pony Canyon(1991-1994), Avex Trax(2007-2016) |
Associated acts | The Predators, Nine Miles, Kenzi & The Trips |
Website | www.pillows.jp |
Members | Sawao Yamanaka Yoshiaki Manabe Shinichirou Sato |
Past members | Kenji Ueda |
The Pillows (Japanese: ザ・ピロウズHepburn: Za Pirōzu, stylized as the pillows) are a Japanese alternative rock band formed in 1989. The group has released 22 studio albums, several EPs and compilations, and over 35 singles. Outside Japan, they are best known as the group responsible for the soundtrack to the FLCLOVA series.[3]
- 1History
- 3Members
History[edit]
Formation and early years (1989–1994)[edit]
In 1989 Kenji Ueda, bassist for Kenzi & The Trips, left the band with former Kenzi's drummer Shinichiro Sato and invited The Coin Locker Babies vocalist Sawao Yamanaka to form a new band. Since Yamanaka was not able to play the guitar well yet, Yoshiaki Manabe, the guitarist of the hair metal band Persia, joined them. The Pillows were formed on September 16, 1989. The story as to where the band's name came about is that allegedly Sawao Yamanaka was hanging out at Yoshiaki Manabe's place and an English post-punk compilation record entitled Pillows & Prayers hanging on Manabe's wall inspired him.
Ueda and Yamanaka were the main songwriters and The Pillows released their first EPs, Pantomime and 90's My Life in 1990 under Captain Records.
In 1991 they contracted with major label Pony Canyon and released their debut single, 'Ame ni Utaeba' in May and their first full-length record Moon Gold in June.
In 1992 The Pillows visited England to record their second full-length album, White Incarnation, and filmed the promotional video for their second single, 'Kanojo wa Shisuta'. Shortly after the release of White Incarnation, Ueda left The Pillows due to disagreements with other members and musical differences.
After a year with no activity or leadership, Sawao Yamanaka took over Ueda's leadership role and recruited Tatsuya Kashima as a replacement on bass, restarting the band. Out of respect for Ueda, Kashima was labeled as a guest musician on releases on which he performed and Ueda's bassist post has never been officially replaced.[3] The extremely rare The Pillows Presents Special CD, released only to The Pillows fanclub, contained their first recordings with Kashima.
In 1994 The Pillows changed to King Records and the band wildly experimented between varying genres. In July The Pillows released their first album as a trio, Kool Spice, and one month later the single 'Daydream Wonder' was released.
Breakthrough and FLCL (1995–2000)[edit]
In March 1995 The Pillows released their fourth album, Living Field. Their subsequent single, 'Girlfriend', was used in the romance movie Love Letter.
In the following year, after the release of their fifth single 'Tiny Boat', The Pillows would release a series of singles such as 'Strange Chameleon', 'Swanky Street', and 'Trip Dancer' that were featured on their breakthrough and acclaimed album Please Mr. Lostman.
In March of the same year, due to the success of Please Mr. Lostman The Pillows released one of the album's tracks, 'Kanojo wa Kyou' as a single. Later that year, two new singles were released, 'One Life' in June and 'Hybrid Rainbow' in November, which became one of The Pillows' most recognizable songs, being largely featured on concert set lists.
In January 1998, The Pillows released their twelfth single 'Another Morning' and their first concert DVD 'Hello, Welcome to Bubbletown's Happy Zoo'. The last three singles were featured on their sixth album Little Busters, which came out in February and became one of their most well known and commercial records. Two more singles followed, 'Instant Music' and 'No Self Control' would both be used on their 1999 album Runners High.
The year of 1999 started with the release of Runners High and to celebrate their 10th anniversary, The Pillows released their first video clips compilation DVD, 'We Have a Theme Song', followed by two new singles ('Carnival' and 'Rush'), both featured on the second studio album release of that year, Happy Bivouac. This record pays tribute to the Pixies in songs such as 'Back Seat Dog' and 'Kim Deal' and it is the first album to feature support bassist Jun Suzuki as a replacement for Kashima.
In the same year, The Pillows were approached by the anime studio Gainax, which licensed The Pillows' three previous albums for the soundtrack of the original video animationFLCL. The Pillows also composed two new songs for the show, 'Ride on Shooting Star' and 'I Think I Can', which were later included on their greatest hits compilation album Fool on the Planet.[3]
Due to their participation in FLCL's soundtrack, The Pillows enjoyed a popularity increase, making their western fan base grow. This allowed them to release their 'Ride on Shooting Star' single in the United States in 2000 and later tour that country.
Early 2000s, 15th anniversary and US debut (2001–2006)[edit]
After their participation on FLCL's soundtrack, The Pillows released their first greatest-hits compilation album Fool on the Planet in 2001 and also a live DVD called Busters on the Planet and a new album, Smile.
In 2002, the FLCL anime became available in the United States, giving the band more notoriety outside of their native country. In October of the same year Thank You, My Twilight, The Pillows' tenth studio album, was released alongside a double-CD collection of B-sides entitled Another Morning, Another Pillows, following the promotional single 'White Summer and Green Bicycle, Red Hair with Black Guitar'.
In 2003, The Pillows released their second video clips DVD Dead Stock Paradise, one single, 'Terminal Heaven's Rock' and one more studio album, Penalty Life, which was later released in the US by Geneon in 2005.
To commemorate the band's 15th anniversary, The Pillows re-released their 90's My Life EP with additional tracks and released a string of new material, including a new EP with re-recorded tracks previously published between 1990 and 1996, Turn Back, one document DVD, Walkin' on The Spiral, one new studio album, Good Dreams, a new single, 'Sono Mirai wa Ima' and finally a tribute album, Synchronized Rockers, including covers of The Pillows played by artists such as Mr. Children, Straightener and Noodles.
In January 2005 The Pillows released the live DVD 916 which features footage of their 15th anniversary concert of 2004.
In March 2005, The Pillows played their first show in the United States at South by Southwest in Austin, Texas,[4] followed by concerts in New York City and San Francisco.[5] In September, the band released a live DVD entitled Delicious Bump Tour in USA, featuring footage of their first tour in America with fellow band Noodles and also a new single, 'Non Fiction'. In November they released their second single of the year,'The Third Eye'. Both singles were used on their subsequent 2006 album, My Foot.
In February 2006 to help promote the My Foot tour, one track of the album, 'Gazelle City' was released as the album's third single. The album was released in the United States in July 2006 by Geneon, with a growing international fan-base and growing domestic sales of their albums and singles over the past four years.
In June, The Pillows returned to North America during their tour in support of the album My Foot, with several more dates in the U.S. and a show in Mexico City.[6]
Move to Avex Trax, 20th and 25th anniversaries (2007–2014)[edit]
In 2007, The Pillows released their 25th single, 'Scarecrow' which was used in the anime series Moonlight Mile, being included on their next album, Wake Up! Wake Up! Wake Up!. This album marks their first release on the Avex Trax label.
In August, the band released one more single, 'Ladybird Girl', which is being used as the theme song for the Japanese version of the children's animated series Ben 10.
In November, the band released a five-disc singles collection, Lostman Go to Yesterday, featuring all the band's singles released under the King Records label and 21 music videos on a DVD in the same collection. On the same day they also released their fifth live DVD, Lostman Go to America featuring footage of their 2006 American tour in support for the album My Foot.
In January 2008, the band released a live DVD, Wake up! Stand up! and Go!, featuring footage of their Wake Up! Tour of 2007 and a single, 'Tokyo Bambi'.On May a new single came out, 'New Animal', and along with their previous two singles, it is featured on their fifteenth studio album, Pied Piper.
The band returned to the US starting with Los Angeles, followed by other appearances at SXSW, San Francisco, Seattle, New York City, and Anime Boston,[7] where the band played for a crowd of more than 5,000 people.
Still in 2008, legendary English rock band Oasis extended an offer for The Pillows to play as the opening act at their concert in Japan, but frontman Sawao Yamanaka refused their offer. In a January interview for Japanzine, Yamanaka joked that he 'turned down the offer in order to have a fun story to tell'.[2]
In 2009, in order to celebrate their upcoming 20th anniversary, The Pillows issued a series of releases called 'Late Bloomer Series'. It includes two DVDs: Pied Piper Go to Yesterday and Blue Song With Blue Poppies, two best-of compilation albums, Rock Stock & Too Smoking the Pillows and Once Upon a Time in the Pillows, a single 'Ameagari ni mita Maboroshi' (featured on their 16th studio album OOPArts (Out of Place Artifacts)) and later the DVD of their anniversary concert, Lostman Go to Budokan, released in the following year.
On September 16, The Pillows gave their first concert in the legendary Nippon Budokan arena commemorating their 20th anniversary. The footage of the concert was later released in 2010 as their ninth live DVD, Lostman Go to Budokan, which came out in both regular and limited edition formats. The limited edition included the concert, a documentary DVD and a special 60-page photo album of the band.
In 2010, The Pillows recorded Rodeo Star Mate, their 30th single and opening theme song for the series, Stitch - Itazura Alien no Daibouken.
In June, The Pillows released their 10th live DVD, 'Parts of OOParts' including footage of their 2010 OOParts tour. Then in December, the single, 'Movement', was released.
In January 2011 The Pillows released their 17th studio album Horn Again with previously released singles included. In February The Pillows released their first single of the year, 'Tabasco Disco', which was only available for purchase to concert audiences.
In June of the same year, The Pillows recorded 'Comic Sonic' as the ending theme for the anime adaptation of the manga 'Sket Dance'.
In September The Pillows and fellow band Noodles toured America for the second time together in the NAP Tour. They performed in Los Angeles, New York, San Francisco and Austin, Texas.
In October they released a live DVD, Born Again, containing footage of their 2011 Horn Again Tour, and in December they released the single, 'Energia'.
On January 18, 2012 The Pillows released their album, Trial and, on the same day, a live DVD entitled We Are Friends, which included footage of their 2011 NAP Tour in America with Noodles. In June, following their Trial tour, the band released the DVD Real Trial containing the last live performance of the tour at Zepp Tokyo.
In a similar fashion to the 'Late Bloomer Series' celebrating the band's 20th anniversary, The Pillows issued a string of releases over 2013 and 2014 in honor of their 25th anniversary. Entitled 'Never Ending Story', this series of releases comprised a new tribute album, DVDs and Blu-ray's (including a nine disc Blu-ray box set), three new singles ('Future', 'Happy Birthday' and 'About a Rock'n'Roll Band') and finally, The Pillows' 19th studio album Moondust. The band also performed three shows in 2014 representing each era ('movement') of their sound: their period with original bassist Kenji Ueda, their experimentation with jazz as heard on the Kool Spice and Living Field albums, and their current style from Please Mr. Lostman onward. These shows saw the band playing old songs for the first time in decades, with Ueda being invited to play bass at a single show where The Pillows performed songs from his time with the band. On October 4, 2014 the band concluded the 'Never Ending Story' campaign with the 'Don't Forget Today' show at Tokyo Dome City Hall and, on the same date, released Bootleg the Pillows 1992-1993, a compilation featuring various previously unreleased recordings. Around this time, The Pillows also began issuing merchandise that featured the slogan '4th Movement is coming',[8] potentially signalling a new 'era' for the band.
Current activities (2015–present)[edit]
Following the end of the 'Never Ending Story' campaign, The Pillows began the Moondust Light for You tour at the beginning of 2015 in support of the Moondust album. In May 2015, the band announced that longtime bassist Jun Suzuki had been fired from the band due to 'bad conduct' that had been going on for some time. In this announcement, Yamanaka also discussed the possibility of continuing on without a 'fixed' bass player.[9] In place of Suzuki, who went on to form the band SABAH,[10] The Pillows played with various different bassists for their remaining 2015 live shows. These included several appearances with original Pillows member Kenji Ueda and former 'support member' Tatsuya Kashima,[11] as well as Tomoyuki Miyakawa (of HiGE), and Yoshinori Arie (of Vola and the Oriental Machine). By 2016, the band had named Arie as their official replacement for Suzuki.[12]
Book-ending The Pillows' Lostman Go to City tour at the end of 2015 were two announcements of upcoming releases: on the day of the tour's first show (December 4), The Pillows revealed a new B-sides compilation entitled Across the Metropolis, which comprises 22 tracks over two CDs, as well as a DVD featuring seven music videos.[13] The set was released on March 2, 2016, about a month before the release of the band's 20th studio album, which was announced on December 26, the final day of the Lostman Go to City tour.[14] Entitled Stroll and Roll, the album includes a new version of 'Radio Telegraphy'—originally recorded as a collaboration with Ryosuke Sasaki of A Flood of Circle[15]—and 'One Flew Under the Cuckoo's Nest', which the band had included on setlists for the Lostman Go to City tour. The album was released on April 6, and features bass tracks performed by Kenji Ueda, Tatsuya Kashima, Yoshinori Arie, Tomoyuki Miyakawa, and Yamanaka's bandmate in The Predators, Jiro (of Glay).[16] Additionally, The Pillows announced that Stroll and Roll would not be released on Avex Trax, as the band had signed to Yamanaka's Delicious Label with distribution by The Pillows' previous label King Records.[16] The Across the Metropolis compilation was the band's last release with Avex Trax. The Pillows embarked on a 27-date tour in support of Stroll and Roll spanning from May 6 to July 22, with the last show at Zepp Tokyo being recorded for Stroll and Roll Band, a live DVD/Blu-ray released on November 23.
On July 3, 2016, it was announced that The Pillows would be providing the soundtrack for the anime FLCL over two new seasons set to air in late 2017 and early 2018, respectively.[17] At the band's final date of the Stroll and Roll tour on July 22 at Zepp Tokyo, Yamanaka announced that he had eight new Pillows songs written at the time, including one that had already been recorded, and the band would be contributing new music to the upcoming FLCL series. Casablanca, a new band featuring Yamanaka alongside Yoko of Noodles and Kusube Shinya of Radio Caroline made their debut at the 13th anniversary show of the Red Cloth venue in Shinjuku on August 29,[18] the same day that their first album entitled Another Story was released. The album was only available for purchase at live shows, via online mail-order, or at the Tower RecordsSapporo store.[19]
A new Pillows song entitled 'Be Wild' was featured in a commercial for wrestler Eri Tosaka, who won the gold medal in the women's freestyle 48 kg event at the 2016 Summer Olympics[20] (Tosaka herself is a Pillows fan, utilising their song 'Funny Bunny' as her fight song).
On November 11, 2016, The Pillows announced the upcoming release of a digital single entitled 'Be Your King'.[21] as well as the announcement of a new album entitled Nook in the Brain—set for release on 8 March 2017—and a tour in support of the album spanning from 5 May to 22 July 2017.[22]Nook in the Brain features 'Be Your King' and 'Be Wild' as part of its ten-song tracklist. Yamanaka commented that the album would showcase an alternative rock sound different from that of the band's past few albums.
With the announcement of FLCL Seasons 2 & 3 in mid 2016 it was expected that The Pillows would return to reprise their role as lead music for the cult anime FLCL. Following the release of FLCL season 2 Adult Swim sponsored and presented a seven city tour across the USA alongside a band on the same label called Noodles, as well as Cullen Omori formerly of the Smith Westerns.[23][24]
On September 5, 2018, Toho released the fourth soundtrack from the anime series FLCL entitled 'Fool on Cool Generation'. The collection features 14 tracks composed by The pillows, including music found in the 'FLCL Progressive' and 'FLCL Alternative' anime series, released together as part of the dual-theatrical showings of both series in Japan.
The pillows released their 22nd studio album, Rebroadcast, under King Records and Delicious label on September 19, 2018. The limited edition includes a DVD with footage from the 'Mono Me You Sun Tour' in USA.
In March 2019, The pillows announced they will participate on the tribute album for UNISON SQUARE GARDEN's 15th anniversary as a band, covering the song “Shoegazer Speaker”. It's set to be released on July 24th.
In May 2019, it was announced that The pillows’ new song “Happy Go Ducky!” will be used as the opening theme for the anime series Ahiru no Sora premiering in October.
Logo and mascot[edit]
Buster-kun has been The Pillows' mascot since about 1998, when on a visit to London, the band saw a doll of a 'grotesque and creepy-looking teddy bear' in a shop window. Since then it has been constantly used in promotional videos, album artwork and goods such as T-shirts and bracelets. Buster-kun was named after the Little Busters album and the group also uses the term 'little busters' for its fans.The original doll can be seen in the promotional video for the song 'Hybrid Rainbow' and on the DVD video and artwork cover of the Hello, Welcome to Bubbletown's Happy Zoo (Instant Show) DVD.
In an interview, Sawao commented on the reason why they adopted Buster-kun and what it represents to the band's music: 'The original doll was made out of really dirty old leather and had a real-looking eye and tongue, but one of the eyes was a button and it was displayed in a window, shaking like it was being electrocuted.We still don't know what it was and why it was there, because it wasn't in a store display window and it didn't look like it was for commercial purposes, but it just seemed like someone's idea of a prank or some artist's work that we thought was interesting. So we used it in our jacket booklet and while we were on tour, we thought of placing that bear image on T-shirts, so we sent the picture to a designer to arrange it. At first it looks cute, but once you get up close, it has sharp teeth like it's ready to bite any minute. So that kind-of-cute but kind-of-scary look fits right in with The Pillows music perfectly.'.[25]
Members[edit]
- Sawao Yamanaka (山中さわおYamanaka Sawao) – vocals, rhythm guitar (1989–present)
- Yoshiaki Manabe (真鍋吉明Manabe Yoshiaki) – lead guitar (1989–present)
- Shinichiro Sato (佐藤シンイチロウSatō Shin’ichirō) – drums (1989–present)
The Pillows Tour 2020
Support members[edit]
- Yoshinori Arie (有江嘉典Arie Yoshinori) – bass (2015–present)[12]
- Jun Suzuki (鈴木淳Suzuki Jun) – bass (1999–2015)[3][26]
- Tatsuya Kashima (鹿島達也Kashima Tatsuya) – bass (1993–1999)
Former members[edit]
- Kenji Ueda (上田ケンジUeda Kenji) – bass (1989–1992)
Discography[edit]
Studio albums
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References[edit]
- ^Hickey, David. 'The Pillows – Artist Biography'. AllMusic. All Media Network. Retrieved 2 August 2016.
- ^ ab'Japanzine Interview, January 10th'(PDF). carterwittmedia.com. 2008-01-10. Retrieved 2011-01-05.
- ^ abcdeOsueke, Austin (2006-07-07). 'J-Pop Is the Quiet Storm in American Culture'. asianweek.com. Archived from the original on 2007-09-26. Retrieved 2007-08-05.
- ^'SXSW 2005 Showcasing Artists: The Pillows'. sxsw.com. Archived from the original on 2007-09-27. Retrieved 2007-08-06.
- ^'More Pillows Concerts'. animenewsnetwork.com. 2005-02-28. Retrieved 2007-08-05.
- ^'The Pillows Tour North America in June'. animenewsnetwork.com. 2006-05-24. Retrieved 2007-08-05.
- ^'SXSW 2008 Showcasing Artists: The Pillows'. sxsw.com. Archived from the original on 2008-02-19. Retrieved 2008-02-20.
- ^'GOODS « the pillows official web site'. pillows.jp. Retrieved 2 September 2017.
- ^Inc., Natasha,. 'the pillowsのサポートベーシスト鈴木淳がバンド離脱 - 音楽ナタリー'. natalie.mu. Retrieved 2 September 2017.
- ^'Security Check Required'. www.facebook.com. Retrieved 2 September 2017.
- ^the pillows [@thepillowsJPN] (23 July 2015). 'ピロウズ主催イベント、7/27(月)新宿LOFT '恋のマシンガンに気をつけろ!' (w/東京カランコロン)のベースは、鹿島達也さんを迎えます!お楽しみに!!' (Tweet) – via Twitter.
- ^ ab'Archived copy'. Archived from the original on 2016-04-12. Retrieved 2016-04-10.CS1 maint: Archived copy as title (link)
- ^Inc., Natasha,. 'the pillowsが13年半ぶりカップリング集発売、新録曲2曲も収録 - 音楽ナタリー'. natalie.mu. Retrieved 2 September 2017.
- ^'the pillows、2016年春にニューアルバム&全国ツアーを発表'. nexus-web.net (in Japanese). 26 December 2015. Archived from the original on 4 March 2016. Retrieved 18 July 2018.
- ^'YouTube'. www.youtube.com. Retrieved 2 September 2017.
- ^ ab'Archived copy'. Archived from the original on 2016-01-28. Retrieved 2016-01-26.CS1 maint: Archived copy as title (link)
- ^'Character Designer Yoshiyuki Sadamoto, Rock Band The Pillows to Return for FLCL Sequel Series'. Anime News Network. Retrieved 4 July 2016.
- ^'【Casablanca】ライブ情報更新 - YAMANAKA SAWAO official web site'. yamanakasawao.com. Retrieved 2 September 2017.
- ^'Casablanca『Another Story』 - YAMANAKA SAWAO official web site'. yamanakasawao.com. Retrieved 2 September 2017.
- ^東新住建 (24 August 2016). '登坂絵莉選手 special movie'. Retrieved 2 September 2017 – via YouTube.
- ^'リリース情報・ライブ情報更新 « the pillows official web site'. pillows.jp. Retrieved 2 September 2017.
- ^'3/8発売21th ALBUM『NOOK IN THE BRAIN』追加情報! « the pillows official web site'. pillows.jp. Retrieved 2 September 2017.
- ^'Adult Swim Presents: The Pillows Tour'. Adult Swim. 2018. Retrieved 18 July 2018.
- ^Rossignol, Derrick (31 May 2018). 'Adult Swim Celebrates FLCL's Return with a Concert Tour Featuring the Show's Music'. Nerdist. Retrieved 18 July 2018.
- ^Mays, Jonathan (2006-07-02). 'Sound Decision'. animenewsnetwork.com. Retrieved 2007-08-05.
- ^'The Pillows profile'. pillows.jp. Retrieved 2007-08-05.
Sources
- Alchemy's Jennifer Ho speaks to Sawao Yamanaka in 2008, on the Asian Pop Show SBS Radio (in Japanese or translated into English)
- Johnston, Chris (November 2006). 'FLCL'. Newtype USA. Vol. 5 no. 11. ADV. p. 151.
External links[edit]
The Pillows Tour San Francisco
- Official website
- The Pillows discography at Discogs
- The Pillows convention appearances on AnimeCons.com